Comments for Bondk.com

Comment on Rosa Ponselle on the Air, Vol. 1 (1934-36) by ale oka

ale oka — Wed, 22 Feb 2012 20:27:33 +0000

RT In the excitement of winning last night we forgot to thank Capital & the listeners who voted for us Sorry thank u so much for your support

Comment on The Terror (1938) by wiet guildero

wiet guildero — Wed, 22 Feb 2012 20:13:21 +0000

zaten bir kismimiz daha dunden razi oldugu icin (sevismeye), muhabbet sariyor da sariyor..

Comment on On Her Majesty’s Secret Service (James Bond 007 RPG) [BOX SET] by salbanah mietsuji

salbanah mietsuji — Wed, 22 Feb 2012 19:58:07 +0000

esse de azul, nossa, hasuhasuas live on

Comment on The Terror (1938) by renthack tomi

renthack tomi — Wed, 22 Feb 2012 19:36:15 +0000

The Federal Bureau of Investigation employs upwards of 15,000 undercover agents today, ten times what they had on the roster back in 1975.

If you think that’s a few spies too many — spies earning as much as $100,000 per assignment — one doesn’t have to go too deep into their track record to see their accomplishments. Those agents are responsible for an overwhelming amount of terrorist stings that have stopped major domestic catastrophes in the vein of 9/11 from happening on American soil.

Another thing those agents are responsible for, however, is plotting those very schemes.

Comment on Thunderball by indrin noord

indrin noord — Wed, 22 Feb 2012 19:19:05 +0000

What about Pro Thunderball?

Comment on OCTOPUSSY – with The Living Daylights [Berlin Escape]) – James Bond 007 by kozumina

kozumina — Wed, 22 Feb 2012 18:47:33 +0000

Si se les hizo tarde para el trabajo: 1. Metan un dedo en el escape del carro. 2. Marquen su frente con la mugre. 3. Pongan cara solemne.!!

Comment on From Russia with Love (James Bond) [Blu-ray] by yelman rin

yelman rin — Wed, 22 Feb 2012 18:33:24 +0000

Azerbaycan’?n ba?kenti Bakü’de yap?lacak 57. Eurovision ?ark? yar??mas?nda Türkiye’yi temsil edecek Can Bonomo’nun ?ark?s? “Love me Back”‘i dinledim.

Comment on James Bond 007 Collection – 14 Book Box Set by pew ste

pew ste — Wed, 22 Feb 2012 18:14:36 +0000

EVERYONE go check out and see what we have going on and don’t 4get to sign the guest book on the left!!

Comment on Octopussy and The Living Daylights (James Bond Novels) by eufennini hiba

eufennini hiba — Wed, 22 Feb 2012 17:36:57 +0000

Eckhart Tolle Bringing Stillness into Everyday Life
English | Avi | Dx50 | 352 x 288 | 587kbps | Mp3 120kbps | 450 MB
Genre: Video Training

Discover the secrets of Bringing Stillness Into Everyday Life. The compulsion to think and identify with our personal history is a deep seated habit. Learn to let go of compulsive thinking and of who you think you are ? your story. Begin living as the aware Presence that is the essence of your being. This talk reveals practical hints on accessing that field of still Presence. Lessons contained in this series: * How to be in this world, but not of it. * What the Now is. * Stepping out of conditioning into the eternal aliveness of Now.

Comment on Licence to Thrill: A Cultural History of the James Bond Films (Cinema and Society) by trent

trent — Wed, 22 Feb 2012 17:24:02 +0000

The BLOB-in-Law China Eases Foreign Film Quota. Maybe. – 11 minutes ago from China Law Blog – Comment – Like By: Mathew Alderson It’s hard not to get carried away by Hollywood’s breathless reaction to the US-China film deal announced during Xi Jinping’s recent visit to LA and apparently struck in “down to the wire” talks with Vice President Joe Biden. The deal is variously described as a ‘trade accord’ or a ‘trade agreement’. Whatever it may be, MPAA is “celebrating” and the White House is heralding it as a “breakthrough.” But just where is the public acknowledgement of the deal by Chinese officials? Depending on whose account we read, we are told that the deal: adds 14 3-D and large format films to China’s existing quota of 20 on which box office revenue may be shared; increases the share of box office available on quota films from around 13% to around 25%; increases by an unspecified amount the licence fees available to ‘independent’ films,…